The Basics of Japanese Gardening

Things to keep in mind for a beautiful garden

Main principles on the garden’s design

Bring the Japanese feeling into your garden with these basic steps. First of all, embrace the ideal of nature. That means, keep things in your garden as natural as possible, avoiding to include things that could disrupt this natural appearance.

For example, don’t include square ponds in your design as square ponds are nowhere to be found in nature. Also, a waterfall would be something closer to what exists in nature if we compare it to a fountain. So you also have to consider the Japanese concept of sumi or balance. Because one of Japanese gardening design main purposes is to recreate large landscapes even in the smallest place. Be careful when choosing the elements for your garden, because you don’t want to end up filling your ten by ten courtyard with huge rocks.

As a miniaturized landscape, the rocks in the garden would represent mountains and the ponds would represent lakes. A space filled with sand would represent an ocean. By that we assume that garden masters were looking to achieve a minimalistic approach, best represented by the phrase “less is more”.

The elements of time and space

One of the things westerners notice at first are the many portions of empty space in the garden. In fact, these spaces are an important feature in Japanese gardening. This space called ma, relates to the elements around it and that also surround it. The concepts of in and yo are of vital importance here, they are best known to the Western civilization by the Chinese names yin and yang. If you want to have something you have to start with having nothing. This is an idea quite difficult to understand, but it is a rule of thumb in Japanese gardening.

An important clue in the development of a garden is the concept of wabi and sabi. There’s no literal English translation for those words. Wabi is about uniqueness, or the essence of something; a close literal translation is solitary. Sabi deals with the definition of time or the ideal image of something; the closest definition might be time strengthened character. Given the case, a cement lantern that might appear unique, would lack of that ideal image. Or an old rock covered in lichens would have no wabi if it’s just a round boulder. That’s why it is important to find that balance.

Ma and wabi/sabi are connected to the concepts of space and time. When it comes to seasons, the garden must show the special character of each one. Japanese garden lovers dedicate time to their gardens every season, unlike the western gardener who deserts in fall just to be seen again in spring.

A very relaxing view in spring is given by the bright green of new buds and the blossoms of the azaleas. In summer, the lush foliage in combination with the pond offer a powerful and fresh image. The vivid spectacle of the brilliant colors of dying leaves in fall are a prelude for the arrival of winter and its white shroud of snow.

The two most important gardening seasons in Japan are spring and winter. Japanese refer to the snow accumulated on braches as Sekku or snow blossoms. Yukimi, or the snow viewing lantern, is another typical element of the Japanese garden in winter. The sleep of the garden in winter is an important episode for our Japanese gardener, while for the western gardener spring is the beginning of the work at the garden. Maybe because of the eastern point of view as death like part of the life cycle, or perhaps the western fear to death.

About garden enclosures
Let’s see the garden as a microcosm of nature. If we’re looking for the garden to be a true retreat, we have to ‘set it apart’ from the outside world. Because of that, fences and gates are important components of the Japanese garden.

The fence and the gates have both symbolism and functionality. The worries and concerns of our daily life have to stay out of this separate world that becomes the garden. The fence protects us from the outside world and the gate is the threshold where we leave our daily worries and then prepare ourselves to confront the real world again.

The use of fences is based in the concept of hide/reveal or Miegakure. Fence styles are very simple and are put in combination with screen planting, thus not giving many clues of what hides inside. You can give a sample look of your garden by cutting a small window in the solid wall that encloses your garden if that’s the case. Sode-gaki, or sleeve fences, are fences attached to an architectural structure, that will only show a specific view of the garden from inside the house. Thus, we’re invited to get into the garden and enjoy it in its entirety. That’s what makes the true understanding of the garden, to lose in it our sense of time and self.

Basic Arrangements
Despite the fact that certain rules are applied to each individual garden, don’t think that there’s just one type of garden. There are three basic styles that differ by setting and purpose.

Hill and Pond Garden (Chisen-Kaiyu-skiki)
A China imported classic style. A pond or a space filled with raked gravel fronts a hill (or hills). This style always represents mountainous places and commonly makes use of vegetation indigenous to the mountains. Stroll gardens commonly use this style.

Flat Garden (Hiraniwa)
It derives from the use of open, flat spaces in front of temples and palaces for ceremonies. This is an appropriate style for contemplation and that represents a seashore area (with the use of the right plants). This is a style frequently used in courtyards.

Tea Gardens (Rojiniwa)
Function has a greater importance than form in this type of garden. The Roji or dewy path, is the main point of the garden, along with the pond and the gates. This would be the exception to the rule. The simple and sparse plantings give a rustic feeling to the garden.

Formality has to be taken in consideration
Hill and pond and flat styles may be shin (formal), gyo (intermediate) or so (informal). Formal styles were to be found usually at temples or palaces, intermediate styles were suitable for most residences, and the informal style was used in peasant huts and mountain retreats. The tea garden is the one that always fits in the informal style.

The garden components

Rocks (ishi in Japanese) are the main concern of the Japanese garden. If the stones are placed correctly, then the garden shows in a perfect balance. So here are shown the basic stone types and the rules for their positions.

The basic stones are the tall upright stone, the low upright stone, the curved stone, the reclining stone, and the horizontal stone. These must be usually set in triads although this doesn’t happen always. Two almost identical stones (by way of example, two tall verticals or two reclining stones), one a little quite smaller than the other, can be set together as male and female, but the use of them in threes, fives, and sevens is more frequent.

We have to keep away from the Three Bad Stones. These are the Diseased stone (having a withered or misshapen top), the Dead stone (an obviously vertical one used as a horizontal, or vice versa, like the placement of a dead body), and the Pauper Stone (a stone having no connection to the several other ones in the garden). Use only one stone of each of the basic types in any cluster (the rest have to be smaller, modest stones also known as throwaway stones). Stones can be placed as sculptures, set against a background in a two-dimensional way, or given a purpose, such as a stepping stone or a bridge.

When used as stepping stones they should be between one and three inches above the soil, yet solid underfoot, as if rooted into the ground. They can be put in straight lines, offset for left foot, right foot (referred as chidori or plover, after the tracks the shore bird leaves), or set in sets of twos, threes, fours, or fives (and any combination thereof).

The pathway stands for the passage through life, and even particular stones by the path may have meaning. A much wider stone placed across the path tells us to put two feet here, stopping to enjoy the view. There are numerous stones for specific places. When observing the basic design principles, we can notice the exact character of the Japanese garden.

Water (mizu in Japanese) plays an important part in the composition of the Japanese garden because of Japan’s abundant rainfall. Water can be represented even with a raked gravel area instead of water. A rushing stream can be represented by placing flat river stones closely together. In the tea garden, where there isn’t any stream or pond, water plays the most important role in the ritual cleansing at the chozubachi, or water basin. As the water fills and empties from the shishi-odoki, or deer scare, the clack of bamboo on rock helps mark the passage of time.

The flow of water, the way it sounds and looks, brings to mind the continual passage of time. A bridge crossing the water stream is often used as a landscaping complement. Bridges denote a journey, just as pathways do. Hashi, in japanese, can mean bridge or edge. Bridges are the symbolic pass from one world into another, a constant theme in Japanese art.

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